I love designing gardens – and it’s not just about the gardens and plants, it’s the connections that are made with the owners in the process that make it special.
People intrigue me, and to design their garden well we have to know who we are designing for – because essentially it’s not my garden, it’s theirs.
Every garden we design is our response to it’s owners, their family, and the way they dream of living within it.
There’s also the architecture to consider and the garden is also a part of the larger environment and its community – and there are almost always constraints.
There’s nothing cookie cutter about our designs and this is what keeps us engaged.
Every project we work on is unique and has its story.

Emily and David Berlach live at the end of a long tree lined driveway on the edge of a rainforest, together they are the directors of Bohemian Traders – a size inclusive Australian Fashion house. Their home and gardens are symbiotic with their lives and who they are. This is the sort of home you would want to grow old in, it ages like fine wine and their three children have the space to grow and run free.

When we first met, I was drawn to the house and garden – it felt like I knew it. We wandered and talked through their garden which was crammed with plants of all kinds but I felt there was too much going on – an interesting, yet (to me) confusing mix of styles that lacked cohesion which we would have to lift and rephrase to tell the story it deserved.

When new owners ‘inherit’ a previous owner’s garden often there can be trepidation in making changes, but when I walked through their home they were well on the way to making the interior truly theirs and the confidence showed. It appeared effortlessly cool and our aim was to give them a similar assured feel of `belonging’ outside in the garden, using materials with character that mellow and improve with age rather than things shiny, new and bright.

There were functional aspects that had to be addressed too such as parking, access to the guest cottage as it is also used as a backdrop to some of their fashion shoots, some privacy planting to a distant home on the other side of a large pond and what to do with unused land above the house.

They really needed a larger, and really beautiful entertaining space close to their living area and kitchen and I imagined a light framed pergola attached to the building in the way Cathy and I had seen in France that would be vine clad to offer summer shade and I had little idea how to actually do this and Box Building and Landscaping interpreted and implemented our design with finesse and have maintained the garden to this day.

The black steel pergola which attaches to the home is clad in ornamental grape vines which drop their leaves to allow winter sun to enter the living room. Details such as Anduze urns, weathered table and handmade Italian light lend warmth.

An outdoor fireplace becomes a focal point David barbecues in the old fashioned way – over coals and there is nothing that beats the smell of woodsmoke

Japanese box plants are trimmed into mounds of varying sizes and a gravel path path leads to the guest house where rosemary has been planted at the base of a stone wall

An old bougainvillea on the guest house was reduced in size undercut to accentuate its age

Low stone walls add depth in a garden

Gravel has been used for occasional parking beneath a Chinese elm

The upper portion of the land was as a rough grassed paddock, and this was where fallen trees and garden waste was kept out of sight but it was from this high vantage point that the hill on the opposite side of the valley could be seen, and when some of the vegetation was removed we would see down to the home. A level space was created to play pétanque with just enough stone paving for a table and chairs and later an access path was laid above a collection of new and existing citrus trees.

A pétanque pitch in the garden above the house was intended as a destination for family and guests

There are plans for home additions, but all gardens, especially large ones take time, money and commitment, and I know that Emily and David are enjoying their journey.

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Working from the garden studio

We’ve spent a lot of time together outside these past few weeks and we’ve really enjoyed working on the vegetable garden that has been lying fallow for way too long. Ten bags of chicken manure were dug in and left for a few days and we were lucky when overnight rain helped wash it in. Earlier this week I came up to the kitchen where Cathy and Ali were having coffee with the news that the first tiny seedlings had appeared and we’ll continue to check them every day to observe their progress. Our collective eyes are all on the baby brush tail possum that has made a warm home in the tool shed roof – we warn him/her daily to stay away from the veg or else…

Freshly planted seed beds in the vegetable garden

Luckily we are making the most of our splendid isolation – on fine evenings we’ve been lighting the outdoor fire for apperitivo, enjoying shared meals, wine and stories. We’re basking in the camaraderie, in a job well done. Our backs and arms are weary from clipping, raking and carrying barrows full of clippings from the garden out to the bonfire in the paddock that we will put a match to in the next few weeks – and it feels wonderful.

Outdoor fire

I know a lot of people are working from home, staring out the windows at their gardens and if you need help please let us know. We can talk on the phone, FaceTime, send texts and emails. We’ve even designed gardens in other countries in this way, and with technology the way it is it’s not all that hard. Think of it as an exciting project.

This pandemic has made us all think differently, it’s made us appreciate what we have and to look to our homes as sanctuaries for our families. Our gardens have restorative powers, and it’s exactly when I returned home from rehabilitation after my own accident almost eight years ago.

When times are tough sink your hands into the soil and feel the heal.

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Austrostipa elegantissima

Austrostipa ramosissima

I’m an aficionado of grasses, I championed them thirty years ago at my nursery in Sydney and have been a fan of them ever since and as with the last post I wrote on lilies I buy new ones and experiment every time I see one I don’t have. Some grasses have been wonderful surprises and others dismal failures and this is why I trial them before incorporating them into my designs. I have a theory that if a plant grows without any love and attention it could quite possibly be an ugly thug, and a garden by its definition requires a degree of nurturing, and along this thought track a garden plants need to be nursed along to a degree or the plants are quite possibly weedy. Grasses especially fall into this category; if they perform best in reasonably well mulched and cared for soil and need the occasional a splash of water to look at their best they wont become a bushland pest where the growing conditions are often dry and inhospitable. I grow a lot of plants in my garden and every now and then because of lack of space I rip things out of the garden and start afresh but I like to think it’s a bit of a Noah’s ark too – a place where plants once popular, and now no longer fashionable can find a home and be resurrected in new planting schemes – and so it is with two Australian native grasses being Austrostipa ramosissima and Austrostipa verticillata. Both of these I grew thirty years ago, got sick of and they’ve come full circle and I’m captivated by their featheriness and ease of cultivation. I’ve paired the former with tall growing dahlias and the latter by the swimming pool where I can watch them bend and sway to the whim of the winds.

Grasses are fast growing and very easily grown but without any maintenance they can look a bit average within a few years so I slice them down totally – and I mean right to ground level every few years and this keeps them looking fresh.

Two grasses that I’ve trialed a for a few years now are Sporobolus airioides and Pennisetum Red Buttons. The Sporobolus is coming into its own mid summer and Red Buttons is the first to flower in early spring.

Sporobolus airiodes

Pennisetum Red-Buttons

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Lilies have always besotted me – yes they’re a bit of work but I enjoy the seasonal task of tying in the fast lengthening stems to stakes and canes as their blooms are irresistible. I tend to leave the corms in the soil from year to year but I’ve learnt over progressive years that lilies don’t like too much shade so as the garden grows and my trees grow creating more shade the lilies are best lifted and relocated to full sun locations which gives me the opportunity to experiment with colour combinations in plant `marriages’. I have rather a lot of lilies about the place but every year I scan the catalogues for new introductions and this year as with last year and the year before I added to my collection. Not all are successful for more than a few seasons and I can say that my lily addiction is a learning curve – that I will use the ones that delight me by performing well in the gardens we design, and that others benefit from my failures. I’m hoping that with ensuring years L. African Queen becomes a firm favourite because I’m loving its demure ripe mango coloured trumpets and the combination of this fruity coloured bloom with a dwarf crepe myrtle that I saved from a demolition site some years ago.

Lilium African Queen

There’s another that I’ve had growing for maybe ten years and I know that it’s growth is in decline because of the shade and competition from an overhead liquidambar but so far I’ve been lazy and with a little luck I will find a fresh patch of soil at the very end of summer when the corms hit dormancy and finally relocate them. This liy is named `White Fox’ and I have really enjoyed its fragrance and the present combination of Peter Lundberg bronze sculpture and the curiously coloured Strobilanthes gossypinus ‘Persian Shield’ or pewter plant.

Lilium White Fox

There are a sprinkling of deep red L. `Nightflyer’ are beginning to display their extraordinary colour and in the orchard Lilium `Leslie Woodriff’ are swelling in size daily and should be open by Christmas Day.

Lilium Nightflyer

It’s early summer yet the bushfires have been especially frightening this year with much of our district charred and blackened, but thankfully, so far at least we have escaped without damage and with this we are blessed. Today I have some time away from my design work to write a rare post and in case I run out of time this year I wish everyone a Merry Christmas and all the best for a prosperous New Year.

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We’ve been flat out working on some interesting, yet challenging projects and sometimes it’s important to step back and smell the roses – to spend a little time appreciating what we have. Down in the lower part of the orchard where the golden afternoon sun brings out the inner glow of the pomegranate trees there’s a patch of purple flowering Salvia purpurea that I usually would never look at but today it’s looking rather splendid, pairing up with Salvia Velour White set against the dormant branch structure of an old weeping mulberry. An unsung beauty.

It’s Cathy’s birthday today and soon it will be time to pop a champagne cork for a little celebration and I’m taking an early mark and signing out early.

Salvia purpurea

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The paths are strewn with fallen leaves, the weeds are growing like there’s no tomorrow and the garden surprises me every week with a new appearance – often unscheduled and unexpected.

The days have been unseasonably warm with only a few coolish nights and the fireplace inside remains unlit but the garden is showing signs of impending cold. We lit the bonfire a few weekends ago, quickly burning the remains of last summer’s pruning. A little colour has appeared on the trees but it’s the aloes, salvias and grasses that are the real heroes – well so far at least. There are sweet subtle scents wafting up from the orchard where the old loquat tree is in flower and the berries on the hawthorn are glossy and bright.

Soon it will be time for the annual clean up with the Cornerstone Landscaping crew and the garden can be put to bed for the winter, but until then I’ll embrace the season…

Aloe First Gold, Eragrostis spectabilis and Sedum Autumn Joy

Stipa elegantissima, Aloe Copper Showers and Yucca recurvifolia

Leonotis ocymifolia – or it could be L. nepetifolia and artichoke seed heads

Salvia semiatrata 

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Are the shapes, colours and forms and each part of the partnership singing – do they compliment or contrast sufficiently. I can see what it looks like now but this is about stretching my knowledge and memory as to how it will look in one month, two or three and in each season. I aim for longevity in a garden and if it’s not growing in increasing beauty every year it’s not good enough. It’s complicated, yet I find it a delicious distraction and it’s this which I do almost every day of my life – I look at the garden I’m working on, get to understand what each garden owner is hoping to achieve, assess their microclimate, architecture, budget and a half a zillion other factors to achieve the best result and it’s one of the reasons why to me work isn’t a chore.

In the studio we are producing some seriously beautiful designs and – many have been influenced directly and indirectly to our recent holiday in France. Cathy and I spent the best part of summer based in the beautiful home of friends that live just outside the walls of this ancient village where Picasso once lived. To become familiar with a place to have to live like locals and we absorb ourselves in everyday life. When we create a garden it’s not just about plants it’s about creating atmosphere, and in France this is tangible.

For many years I’ve wanted to go to the Galerie Maeght sculpture park at St Paul de Vence but have never quite got there – and this time I succeeded and I’m so pleased I did. To walk in a garden where it feels as if Joan Miro is with you is an uplifting experience!

I’ll wait patiently for someone to give me a call with a request to create a garden that features sculpture and I’ll show them what Ive learnt.

We stopped by the home of an old friend that lives in Opio to have a glass of champagne and lend a hand with her garden.

and we took a few days at Chateau Nerf du Pape to gather wine supplies and had a great lunch outside a cafe in the shade of ancient pollarded plane trees and discovered some wonderful wines in the co-op next door, and it’s these memories of tastes, sights and smells that I’ll be bringing with me as we work through our designs this Australian summer.

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We’re very lucky to have the opportunity to work with extraordinary architects, builders, artists and tradesmen in locations  which are sometimes breathtaking whilst others are more homely and we enjoy working on them all. From the country to the coast – local and interstate we get to meet people from all walks of life.  To be able to improve the quality of someone’s day by giving them a beautiful garden is what we love doing the most.

I’m so proud of the work the contractors and their teams produce – without them our work is just ink on paper so I’ve put together a small collection of some of this year’s projects with before and after images. Usually I don’t show the gardens we design before they have had a few years to grow and look at their best, but I thought it may be interesting to watch their journey.

After a well deserved Christmas break we recommence work Tuesday next week on some really exciting projects to kick off the year.

The first set of images are of one part of a project at Curl Curl by Matthew Woodward Architecture which was constructed by JTCD and Verduous Gardens. I’m besotted by the breeze blocks, off-form concrete and second hand bricks used in this project and the way they enhance the cottage. A mature frangipani was transplanted from one part of the site to another transforming the courtyard.

Curl Curl Home – before

Rear courtyard under-construction

Second hand bricks used on steps with breeze-block feature wall

Curl Curl Garden by Night with fire pit in the foreground

This next garden at Wamberal is to be a staged project, and as access will be tricky the owners opted to get the back garden built before they began building. The garden will grow alongside a renovation by White Dickson Architects. The garden was constructed by Box Building and Landscaping, levels were tricky and the stone and rendered walls negotiate it well.

Wamberal Garden before

Wamberal Garden after – planting is very fresh but the walls and steps sensational

On this second Wamberal project we decided that the approach to the front door was all wrong, sometimes we have to look at things with fresh eyes and in new ways, so we demolished part of the existing entry court wall and created a new series of steps and paths to lead visitors to the front door. We saw that the house had a retro vibe and we enhanced this with plants to accentuate the mood. This project was executed by Cornerstone Landscaping – I can’t wait for the plants to grow and either can the owners. I’m loving the off-form steps and stone walls which positively glow at night with the garden lighting by Gardens at Night.

Wamberal 2. before

Wamberal 2 with custom step detail

The third set of images is a unique home by architect Peter Stutchbury – a home in the country at Paynes Crossing for clients I’ve known since they shopped in my nursery in Sydney. The rammed earth courtyard which is central to the home was where the owners elected to begin their garden and Stuart from Eyb Gardens began by constructing the exposed aggregate interconnecting path and then laid a combination of second hand common bricks and recycled clay pavers to our design. A labour of love, this will be a landscape that develops over the years.

The sinuous line the driveway took as it snaked it way to the house site was one of our design leads.

Windows with cinematic qualities…

The courtyard (before) is an integral and central part of the home

Texture and pattern create interest to the eye and bare feet

The fifth project is on an acreage at Duffys Forest, the house was reconfigured by Fineline, then it was gutted and refurbished and we moved fence lines, changed the garden, added a custom swimming pool fence and reconfigured entries and access. As with almost all our work, we like to establish long-term relationships with the garden owners and we will soon be embarking on a new design for an existing dam on this property. Steve from Shakkei Landscaping has done all the work on this one…

The front of the house before work began

Secondhand brick was used extensively for the new driveway

New swimming pool with our custom fencing detail.

The 6th and final `before and after garden’ in this post is at Pittwater and one where we have re-organised existing plants, made roof gardens, created new areas and added lots of new plants. Mature palms have been an important part of this project where an instant effect was what was required. This landscape was constructed – as was the home itself by JGroup Projects. Koichi Takada Architects

Mature Cereus peruvianus was potted near the entry

An old crepe myrtle was carefully lifted into position to provide some privacy to the outside living area                          Image – JGroup Projects website

A sensational view – but we opted for this mature crepe myrtle to give a degree of privacy to the outside living area

Image – JGroup Projects website

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This is my garden, nothing happens and then one little plant puts up it’s hand, it’s game on and they’re off.

As you know I love a bit of wildness in the garden. I appreciate order but I want to know that the garden is alive and has a mind of its own.

The trick is to know what to let go and what to rein in…but if you’re like me and you think it’s just too hot two control the disorderly you can also let it go until cooler autumn days

It’s stinking hot today – too hot to do anything outside. Ive already been to Bunnings early for supplies, whipper snipped the edges and watered the needy. Now I’m in the studio where I’m cool, so I’m just going to splash out with some images from my garden because I have the time to do so…

Salvia leucanthe, Miscanthus Cabaret (variegated leafed grass), Dracaena draco and Miscanthus nepalensis

From front to back                                                                                                 Miscanthus Adagio, Rosa Autumnalis, Xanthorrhoea glauca, Foeniculum vulgare Purpureum, Japanese box swirls, horizontal elms and Magnolia grandiflora

Miscanthus Cabaret with Cereus peruvianus

A dwarf crepe myrtle I have no name for with Cereus peruvianus, tall Agave weberi in flower and a lot of other wild flowery things…

Miscanthus nepalensis, Protasparagus meyerii, Kalanchoe orgyalis and Agave vilmoriniana

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I’ve been lucky to establish relationships last year with two new  colleagues that enrich my life artistically. I’ve long been an advocate of sculpture – and even more so if it will enliven my gardens.

The lovely Denese Oates brought to life an idea that I’ve had ticking away in my head for a few years in a courtyard garden at Mosman. This narrow space is an important area as the living room and kitchen look directly onto the boundary wall and the strip is too desolate to plant successfully. The owner has a wonderful collection of paintings and Denese and Diane were an ideal match. In concept I imagined a vine growing about the wall – and rather than dictate how to, this original concept idea became the departure point from which Denese began and it has been a wonderful ride.

I took a short 10 second video to show you the scale of this work – click the link below to sneak a peek, and imagine how it looks at night when illuminated by the overhead LED lights!

Denese Oates Wall Sculpture from Michael Cooke on Vimeo.

our original design sketch

Late last year our friends Gemma and Armando introduced me to Peter Lundberg – an accomplished sculptor that has won Sculpture by the Sea at Bondi – twice. Peter creates monumental public works in concrete and bronze and whilst Peter is overseas for a while I have a collection of his smaller bronze pieces here in my own garden where they can gently weather outside and I can enjoy them whilst I dream of  the gardens to home them permanently. The sculptures come in a range of finishes, the one picture has a golden hue to it which looks great when shown against a backdrop of green foliage

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An Agave weberi stem laden with similar blooms fell onto the lawn yesterday afternoon when Cathy was mowing the lawn and I had to sever it at the base, and later this week week when it’s not so hot I will dig what’s left of the plant out of the garden with Adrian. I have a splendid collection of healthy young plants which have sprung from the base so I’m not too distressed – and if I were I could do absolutely nothing to prevent this from happening.

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It’s been a while since I’ve had a moment to stop, chill and really relax like I now am, and I’m loving the luxury of sloth.

I usually wake up around 4am and go to the gym before I begin with my first appointment or I begin my working day in the studio. This morning I went to the gym early but I woke at first light rather than in the dark, and when I got home I turned on the sprinkler in the nursery, made an espresso and went back to bed to swipe my way through my daily Instagram feed, and then I slipped gently back to sleep. This summer I’m behaving as I would if we were away on holidays – but at my own home, and it’s not too bad at all. When I got out of bed somewhere close to 10am the biggest decision was what herb to use on the eggs and pan-fried left over Christmas ham.

I’ve taken to walking about the garden in contemplation, asking myself things such as `shall I move the lilies to a sunnier place next year’ and `I really should plant more grasses – but where would I put them? My mobile phone has been particularly quiet as it failed to re-boot from an update, and I’ll get it looked at before work begins on the 9^th January.

What wine will I open tonight?

I may wash the car, spray the weeds on the drive – but then again I could jump in the swimming pool and contemplate these tasks again tomorrow…

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We’re ridiculously busy designing gardens in the studio, which is another reason why my urge to write has been quelled, and it’s spring so the telephone never stops ringing!

We have Cathy’s sister and my brother in law from South Africa arriving in  a few weeks and our good friends from France as well, and Cathy and I have been gardening, getting things ready for lazy afternoons, and new faux wicker chairs on the deck under the camphor laurel are tempting us to sit on them for long lazy lunches, games or petanque’ and glasses of rose’. Without rain the paddocks are parched and when you walk over them you hear the brittle leaf blades and stolons snapping. Trees freshly planted throughout winter need buckets of water carried out to them or they’ll soon perish and this is what we do – we show them the love now and they’ll reward us in years to come with welcome shade.

The familiarity of my garden is comforting and I like the repetition of seasonal jobs. Each year the lilies appear from the bare earth and this week I staked the, tied a stem to each cane and sat one of my treasured antique terracotta pots on top. Each week I will revisit the lilies and if they have grown sufficiently I’ll add another twist-tie.

Cercis Forest pansy and newly staked lilium

Zucchini have been planted in the vegetable garden and rocket seeds for summer salads – I just hope the possums don’t eat them before I do.

Hippeastrum are one of those old fashioned plants that appear in old gardens and these are just another plant I find hard to resist when I find one I don’t have. Usually I’m fanatical about nomenclature and want the correct latin name on every plant I have but with hippies I know a few, others are known as Gail’s hippie because that’s who gave me the bulbs and then there’s the cream and red stroppy one that reminds me of a big girl wearing a dress that’s too tight and bright on race day…take a look you can guess what one I mean.

parrot amaryllis – Hippeastrum psittacinum

Hippeastrum papilio

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They brighten the garden and the house when their branches are cut and popped in a vase, and they last for weeks.

In large gardens I mass them on banks of sloping earth and under trees – and rarely do anything to them besides remove a wayward stem. In smaller gardens they can be pruned back hard after flowering to keep them small, and if this is done they also produce very straight stems loved by florists.

Chaenomeles speciosa

Chaenomeles nivalis

Chaenomeles Apple Blossom

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The cooler days are perfect for pottering about and I’m moving plants to new positions in the garden where I hope they will look and do better next season. As the garden matures there’s less sun – and things that once thrived like the Lilium `Black Beauty’ outside the bedroom window aren’t performing and I need to find somewhere now sunnier. I have been shovelling barrows of muck from the chook cage to mulch precious plants that need a boost and this gives me a satisfaction that’s out of proportion with the process itself.

Salvias too are hitting their straps, and almost every one is in bloom which delights the bees and also small birds like the Eastern Spinebills which feed on the flower nectar. It always surprise me when the jonquils begin to open, and later this afternoon I will pick a bunch that will fill the house with their heady sweet smell.

This is the season when the ornamental grasses really shine and last winter I ordered boxes full of unfamiliar varieties to trial. I never recommend plants in our designs that I don’t know first hand so I’m always on the lookout for plants I haven’t grown before and last winter one of the plants I purchased was Miscanthus nepalensis and I think that this one will have merit. I have grown it in an area which is less that hospitable and considering this I’m happy with it’s golden tassels, and in a few more years it may find a way into our designs.

Camellia sasanqua `Yuletide’

Salvia `Anthony Parker’

Miscanthus nepalensis

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Wirra Willa from Disobedient Gardens

Two years ago I finally got to visit the garden at Glenmore House on one of their spring open days, and I did so with my Dad. I have known Mickey Robertson the owner of Glenmore via Instagram for a few years and admire what she has created. Both of us had a book published last year with Murdoch Books – and this May I will be heading out to Glenmore House to present an illustrated talk using some of the many extraordinary images Brigid Arnott took of the gardens featured in my book Disobedient Gardens.

Mickey hosts some wonderful seasonal, garden related events (follow her blog for details) and I’m also looking forward to speaking in the dairy and the long-table garden-inspired, seasonal lunch in the loggia, and I hope you will join us.

Click on https://mickeyrobertson.worldsecuresystems.com/BookingRetrieve.aspx?ID=281044  and contact Mickey.

Hawthorne – my original Disobedient garden

Park Mount from Disobedient gardens

Valleyfield from Disobedient Gardens

Mickey Robertson at Glenmore House

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When I met Denese at her Northern Suburbs home I had to explore both the garden and the studio where she was busy on a number of new works. I was intrigued to see a pile of cast `bones’ awaiting fabrication. This past week these 100 bones, now copper coated were installed at the Coal Loader in Waverton as part of the North Sydney Art Prize 2017. If you have time to visit, the exhibition is open 10am – 5pm daily from 11th – 26th March 2017 at The Coal Loader Centre for Sustainability, 2 Balls Head Drive, Waverton.

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